Executive Producer Kristen DiAngelo and Director/Producer James Johnson discuss the importance of color correction for their recent feature documentary, AMERICAN COURTESANS. Fancy Film: What format did you shoot on? K.D. & J.J.: We shot in Apple Pro Res HQ onto 2.5″ hard drives, using the Sony FS100 camera, and the recording device was the ATOMOS Ninja. … Continue reading
Mary Wigmore of the directing/producing team behind BIRTH STORY: INA MAY GASKN & THE FARM MIDWIVES talks workflow for her and Sara Lamm’s recent documentary feature Fancy Film: What camera did you shoot with and in what format? What factors played a role in your choice of camera? Mary Wigmore: The majority of the film … Continue reading
Filmmakers Bryan Becker and Brandon Miradi explain how for ambitious creators, the post experience must become the destination. Fancy Film: What do you wish you would have known about the post-production process before going into it that you know now after completing your film? Bryan Becker & Brandon Miradi: We wish we would have had … Continue reading
FANCY POST& DISPATCH 